Venice Film Festival Best Dressed of a Day: All Eyes on Amanda Seyfried’s Embroidered Gown

It’s valuables and robe in one.

The Dress: A lace-paneled dress with a bejeweled bra tip from Alexander McQueen’s pre-spring 2018 collection.

The Wearer: Amanda Seyfried, who works with longtime stylist Elizabeth Stewart.

The Event: At a First Reformed premiere during a Venice Film Festival on Thursday, where she stepped out on a red runner with co-star Ethan Hawke.

Why It Matters: Seyfried’s latest red-carpet impulse is a stunner — a black edging dress that manages to drive transparent of a “nearly nude” red-carpet trend trope, interjection to a paneled effect, handkerchief hem and floral clear embroideries that uncover off McQueen engineer Sarah Burton’s unusual handiwork. (The pre-spring McQueen collection sum were desirous by British folk art and interiors.)

A span of Chopard earrings, featuring 20.16 carats of amethysts, 22.17 carats of topaz and 3.74 carats of blue sapphires set in 18k white gold, delivered that additional wow factor. Makeup artist Mary Greenwell and hairstylist Giannandrea dull out a glamorous demeanour with a red mouth and textured ponytail, respectively.

New mom Seyfried has been bearing dim hues on a step and repeat lately; she wore black monochromatic dresses for her final dual red-carpet appearances before to a film fest. However, it seems she’s starting to welcome a embellishments and patterns again as she seemed in a witty lipstick-print mini Valentino Resort dress progressing in a day for her film’s print call.

A post common by Elizabeth Stewart (@elizabethstewart1) on Aug 31, 2017 during 9:29am PDT

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